専 門：日本古代史、思想史専門分野：Van Goethem specializes in the history and archaeology of the Asuka, Nara, and early Heian periods. Her primary focus is on Kanmu Tennō, on the layout of Japan’s ancient capital cities, and on inscribed wooden tablets. She has also published on site divination and on the influence of fengshui thought on contem-porary Japanese architecture. In her current research, an institutional and social history of Heian Jingū, she investigates issues related to the reconstruction of long-lost buildings, the deification of emperors, the presence of Chi-nese cosmological symbolism in Shinto shrines, and changes in perceptions of Heian Jingū since its founding in the late nineteenth century. Van Goethem teaches courses in pre-modern Japanese history, archaeology, material culture, and thought; research methods and digital humanities; and East-West encounters.主要業績：- Journal of Asian Humanities at Kyushu Uni-versity (JAH-Q), Editor 2016–2020, 2023–.-「宮都の敷地選定と風水」日本の都城と東アジア (Vietnam National University, Japan Foun-dation, 2022), 57–70.- “Animated City: Life Force, Guardians, and Contemporary Architecture in Kyoto,” in Spirits and Animism in Contemporary Japan (Blooms-bury, 2019), 81–94.- “Heian Jingū: Monument or Shintō Shrine?,” Journal of Religion in Japan 7.1 (2018), 1–26.- “Of Trees and Beasts: Site Selection in Pre-modern East Asia,” Journal of Asian Human-ities at Kyushu University ( JAH-Q) 1 (2016), 1–7. - “Interroger le paysage: À la recherche des quatre divinités protégeant les capitales jap-onaises de style chinois,” in Dispositifs et notions de la spatialité japonaise (Presses Polytech-niques Universitaires Romandes, 2014), 80–100.- “Feng Shui Symbolism in Japan: The Four Divine Beasts,” in Theory and Reality of Feng Shui in Architecture and Landscape Art (Hum-boldt-Universität zu Berlin, 2013), 35–48.-「歴史資料・資源としての木簡―長岡京の場合―」交響する古代II（明治大学古代学研究所, 72専 門：日本美術史・建築史、専門分野：At the center of Schweizer’s research is the deployment of artifacts in space, especially site planning and interior decoration in the widest sense during the late medieval and early mod-ern periods. This focus is accompanied by a strong interest in issues of materiality, manu-facturing technologies, and temporality. A sec-ond area of interest comprises manifestations of otherness (depictions of Asian, African, and European foreigners; courtesans; and samurai), transcultural picture migration, and export art (especially lacquer). He is a corresponding member of the Azuchi Castle Screens Re-search Project.主要業績：- “Puppets for the Margravine: Japanese Ephemera and their (Re)Construction in Eigh-teenth-Century Chinoiserie,” 21: Inquiries into Art, History, and the Visual 2:1 (2021), 3–46.- “The Elector’s Japan: Reading Export Lacquer in Baroque Germany,” in Production, Distribu-tion and Appreciation: New Aspects on East Asian Lacquer Wares, vol. 1 of European Studies in Asian Art and Archaeology (Brill, 2018).- Ōsaki Hachiman: Architecture, Materiality, and Samurai Power in Seventeenth-Century Japan (Reimer, 2016).- Japanische Lackkunst für Bayerns Fürsten: Die Japanischen Lackmöbel der Staatlichen Münzsammlung München, co-edited with Mar-tin Hirsch and Dietrich O. A. Klose (Staatliche Münzsammlung München, 2011).- “Translating Visions: A Japanese Lacquer Plaque of the Haram of Mecca in the L. A. Mayer Memorial Museum, Jerusalem,” with Avinoam Shalem, Ars Orientalis 39 (2010), 148–73.- Zwischen Nostalgie und Exotismus: Die Gestal-tungsmoden an japanischen Rüstungen des 16. und 17. Jahrhunderts (Ars et Unitas, 2003).美術・芸術における国際交流アントン・シュヴァイツァー Anton SCHWEIZER広人文学コース/教授エレン・ヴァン＝フーテム Ellen VAN GOETHEM広人文学コース/准教授
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